The Best Headphones for Music Production: 2024 Edition
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Have you ever wondered why some music producers seem to have an uncanny ability to create pristine, professional-sounding tracks? The secret often lies in their choice of equipment, particularly their headphones. We’ve spent countless hours testing and comparing various models to bring you our top picks for the best headphones for music production in 2024.
In this guide, we’ll explore a range of studio headphones that cater to different needs and budgets. From the iconic Audio-Technica ATH-M50x to the premium Focal Listen Professional, we’ll break down what makes each pair stand out. We’ll also dive into the debate between open-back and closed-back designs, helping you understand which type might work best for your specific production needs. So, let’s plug in and discover the headphones that could take your music to the next level.
A solid choice for producers, the Audio-Technica ATH-M50x offers clear sound with tight bass, making it ideal for both tracking and mixing on a budget.
- Excellent sound clarity with deep bass
- Durable, foldable design for portability
- Detachable cables for convenience
- Slight bass emphasis may affect neutrality
- Can get uncomfortable after long use
ATH-M50x Sound Quality
The sound quality of the ATH-M50x is impressive. With a 5dB bass shelf, these aren’t neutral, but they deliver deep, tight bass that’s punchy without being overwhelming. The mids are well-balanced, allowing vocals and instruments to shine naturally. I appreciate the treble response, which offers sparkle and presence without becoming harsh or sibilant.
What really blew me away was the soundstage. For closed-back headphones, the ATH-M50x creates an unexpectedly wide and immersive listening experience. I remember the first time I put them on – it felt like the music was happening all around me, not just in my head.
ATH-M50x Comfort and Design
The ATH-M50x has a professional, understated design that I love. They’re comfortable for extended use, though the earpads can get a bit warm during long sessions. The clamping force is initially tight but eases over time. One thing to note: while marketed as over-ear, they sit somewhere between on-ear and over-ear for many users.
ATH-M50x Durability
These headphones are built like a tank. The plastic construction is surprisingly rugged, and the metal headband adjustments feel solid. I’ve put mine through years of heavy use – drops, tosses, and accidental cord yanks – and they’ve held up admirably. The earpads and headband padding may wear over time, but they’re replaceable, which adds to the longevity of these already durable headphones.
Known for their comfort and isolation, the Beyerdynamic DT 770 Pro is a favorite among producers for tracking, offering accurate, detailed sound.
- Excellent isolation for tracking
- Balanced sound with rich bass and clear highs
- Durable, professional-grade build
- Non-detachable cable
- Tight fit may cause discomfort during long sessions
DT 770 Pro Sound Isolation
The closed-back design of the DT 770 Pro aims to provide isolation, but I’ve found it to be somewhat mediocre. While they can reduce some mid-range noise like ambient voices, they struggle with low-frequency sounds. If you’re working in a noisy environment, you might still hear the rumble of traffic or office chatter. On the flip side, the leakage performance isn’t great either. When I crank up the volume, people nearby can hear what I’m listening to, especially in the mid and treble ranges.
DT 770 Pro Frequency Response
The frequency response of the DT 770 Pro is where these headphones truly shine. I’m consistently impressed by their fantastic bass accuracy. The sub-bass extension is remarkable, reaching down to 20Hz with minimal roll-off. This gives EDM and hip-hop tracks an incredible depth and rumble. The mid-range accuracy is outstanding, with a virtually flat response that reproduces vocals and lead instruments with exceptional clarity. In the treble range, I’ve noticed a slight inconsistency. There’s a subtle under-emphasis in the low treble, which can make some vocals lose a bit of brilliance. However, there’s a noticeable bump in the high treble that adds a touch of sparkle to cymbals and high-pitched vocals.
DT 770 Pro Build Quality
When it comes to build quality, the DT 770 Pro doesn’t disappoint. I’ve found them to be incredibly durable and sturdy. The metal frame feels solid, and the ear cups can withstand accidental drops without damage. At 270g, they’re surprisingly lightweight, which contributes to their excellent comfort level. While the ear cup enclosures might feel a bit plasticky compared to some premium models, the overall build quality is impressive, especially considering the price point of around $150.
The Sennheiser HD 650 provides outstanding clarity and a balanced frequency response, perfect for mixing and mastering in a controlled studio environment.
- Clear, natural sound with detailed mids
- Wide, spacious soundstage
- Comfortable for extended wear
- Open-back design leaks sound, not ideal for tracking
- Requires a good amp for best performance
HD 650 Open-Back Design
The HD 650 features an open-back design, which has a significant impact on its sound quality. I’ve found that this design allows for a more spacious and natural sound. It’s like the audio is floating around you rather than being confined to your ears. However, it’s worth noting that this design also means there’s some sound leakage, so they’re not ideal for recording in shared spaces.
HD 650 Sound Accuracy
When it comes to sound accuracy, the HD 650 truly shines. I’ve noticed a significant improvement in bass response compared to its predecessors. The bass is more forward and alive, with a boost around 40 Hz that adds depth without overwhelming the mix. The midrange is warm and smooth, almost beguiling. It’s particularly strong in the lower mids, which can sometimes push vocals slightly into the background. The treble has a nice sparkle to it, adding clarity to instruments like guitars without becoming harsh.
HD 650 Comfort for Long Sessions
I’ve found the HD 650 to be incredibly comfortable for extended use. The headband design distributes weight evenly, resulting in minimal pressure on the head. The velour earpads are soft and breathable, allowing me to wear these for hours without discomfort. The light clamping force is just right – secure enough to stay in place but not so tight as to cause fatigue.
A studio classic, the Sony MDR-7506 delivers reliable, clear sound at a great price, making it ideal for tracking, mixing, and general audio work.
- Crisp, detailed sound
- Lightweight and foldable for portability
- Affordable, industry-standard
- Non-detachable cable
- May lack low-end punch for bass-heavy genres
MDR-7506 Studio Standard
The Sony MDR-7506 has been a go-to choice for producers and mixing engineers since 1991. I’ve found their frequency response to be impressively flat, making them reliable for studio work. The deep bass response and high-frequency boosts are particularly useful for picking out clicks, pops, and low rumbles in mixes. However, I’ve noticed the low midrange can be a bit weak compared to other headphones, and the mid and high frequencies can sometimes sound overly bright.
MDR-7506 Portability
One thing I love about the MDR-7506 is its portability. At just 8 ounces, they’re incredibly lightweight and easy to transport. The foldable design is a huge plus, making them perfect for on-the-go work. I can easily toss them in my backpack without worrying about bulk. However, the plastic hinges, while strong, don’t feel as durable as some higher-end models.
MDR-7506 Value for Money
For around $100, the MDR-7506 offers exceptional value. While they may not have the premium feel of more expensive headphones, they deliver where it counts – in sound quality and reliability. I’ve found them to be a great middle-ground option, offering good (though not exceptional) build quality and sound performance at a reasonable price point. They’re a solid choice for beginners or as a reliable backup pair in any studio setup.
Focal’s Listen Professional offers a balanced, detailed sound signature with a durable build, making it an excellent choice for critical listening and mixing.
- Accurate and detailed sound
- Good isolation for both mixing and tracking
- Comfortable with a sturdy design
- Bulky for portable use
- Highs may be too sharp for some
Listen Professional Sound Reproduction
The heart of these headphones is their 40mm Mylar/titanium drivers. I’ve found they offer exceptional linearity and a clean transient response. The sound is lively, almost like using semi-open-back headphones, but with the isolation of closed-backs. What really impressed me was the tonal balance across the entire audio spectrum. The bass and lower mid-range have remarkable articulation, something that’s often a challenge with closed-back designs.
Listen Professional Isolation
The isolation on these headphones is top-notch. The large oval earcups, surrounded by 22mm thick memory foam and covered in red velvet, create an excellent seal. While they might not match purpose-built isolating headphones, I’ve found they do an impressive job of blocking out external noise, allowing me to focus on the mix.
Listen Professional Comfort
Comfort is where the Listen Professional really shines. The unique headband design ensures even weight distribution, regardless of head shape or size. I’ve worn these for hours without feeling any pressure points. The microfiber ear cushions not only contribute to the great sound but also add to the overall comfort. Even during long mixing sessions, I’ve experienced minimal fatigue, as long as I keep the volume at a reasonable level.
The DT 900 Pro X offers an open-back design with expansive sound, ideal for mixing and mastering, while maintaining Beyerdynamic’s legendary build quality.
- Wide soundstage with open-back design
- Clear, detailed mids and highs
- Detachable cable
- Open-back design leaks sound, unsuitable for tracking
- Slightly bulky
DT 900 Pro X Frequency Response
The DT 900 Pro X boasts a neutral sound profile with a touch of brightness. I’ve found the bass response impressive, reaching the lowest frequencies without lacking depth. While it’s not as flat as its closed-back counterpart, the DT 700 Pro X, it’s more than sufficient for most production needs. The treble peak around 6.1kHz can be easily addressed with EQ, making these headphones versatile for various music genres.
DT 900 Pro X Comfort
The velour pads are incredibly comfortable, possibly the best I’ve experienced. However, I’ve noticed the fit can be a bit snug for larger heads, with the maximum adjustment barely sufficing in some cases. The high clamping force is offset by the plush pads, allowing for extended wear without discomfort. That said, the oval-shaped cups of some competitors might offer a slight edge in overall comfort.
DT 900 Pro X Build Quality
These headphones are built to last. The sturdy construction inspires confidence in their longevity. I appreciate the replaceable parts, including the cable, cushions, and headband, which adds to their durability. The sleek black design with subtle branding looks professional and feels robust. While there have been some reports of headband leather detaching, it’s easily fixable and doesn’t significantly impact the overall build quality.
The AKG K702 offers a wide soundstage and exceptional clarity, making it ideal for mixing, mastering, and critical listening in quiet environments.
- Excellent clarity and detail
- Wide, immersive soundstage.
- Lightweight and comfortable
- Lacks low-end punch
- Open-back design not suitable for tracking
K702 Open-Back Design
The open-back design of the K702 is a game-changer. It allows for a natural soundstage that’s truly impressive. I’ve found that this design creates an out-of-your-head experience, making you feel like you’re in the middle of the music. However, it’s worth noting that these headphones are big and can feel a bit fragile, so handle with care.
K702 Soundstage
The soundstage on these headphones is nothing short of remarkable. I’ve been consistently amazed by the wide, immersive sound they produce. The stereo image is incredibly wide, and the perception of depth between and on each side of the ears is startling. This makes them excellent for mixing, film watching, and gaming. I’ve often found myself turning my head, thinking a sound was coming from outside the headphones!
K702 Accuracy
When it comes to accuracy, the K702 shines. The midrange detail is exceptional – I’ve discovered effects, panning, and tonal characteristics in my music collection that I’d never noticed before. The bass is un-hyped and selective, which some might find lean. However, this neutral profile makes them ideal for professional use. They’re particularly great for detecting sibilance issues, checking fade-outs, and revealing low-level information like crackles and phase issues.
The RØDE NTH-100 is a versatile, affordable option for both tracking and mixing, offering clear, balanced sound with impressive comfort for long sessions.
- Balanced sound signature, great for mixing
- Extremely comfortable with memory foam ear cushions
- Affordable and durable
- Slightly heavier than some competitors
- Non-detachable cable
K702 Open-Back Design
The open-back design of the K702 is a game-changer. It allows for a natural soundstage that’s truly impressive. I’ve found that this design creates an out-of-your-head experience, making you feel like you’re in the middle of the music. However, it’s worth noting that these headphones are big and can feel a bit fragile, so handle with care.
K702 Soundstage
The soundstage on these headphones is nothing short of remarkable. I’ve been consistently amazed by the wide, immersive sound they produce. The stereo image is incredibly wide, and the perception of depth between and on each side of the ears is startling. This makes them excellent for mixing, film watching, and gaming. I’ve often found myself turning my head, thinking a sound was coming from outside the headphones!
K702 Accuracy
When it comes to accuracy, the K702 shines. The midrange detail is exceptional – I’ve discovered effects, panning, and tonal characteristics in my music collection that I’d never noticed before. The bass is un-hyped and selective, which some might find lean. However, this neutral profile makes them ideal for professional use. They’re particularly great for detecting sibilance issues, checking fade-outs, and revealing low-level information like crackles and phase issues.
Open-Back vs Closed-Back Headphones
Open-Back Advantages
I’ve found that open-back headphones offer a more natural listening experience. They allow air to flow through, creating an expansive soundstage where audio feels like it’s coming from outside your head. This design eliminates inner cup reflections and resonances, resulting in a more transparent and detailed sound. They’re also more comfortable for long sessions due to better breathability.
Closed-Back Benefits
On the flip side, closed-back headphones excel in noise isolation. I’ve noticed they’re perfect for blocking out external noise, allowing you to focus solely on your audio. They often provide a more pronounced bass response and are versatile for various use cases. If you’re commuting or working in a noisy environment, closed-back headphones are your best bet.
Choosing the Right Type
Your choice depends on your specific needs. If you prioritize natural sound and comfort for critical listening, open-back headphones are ideal. However, if you need isolation and versatility, closed-back headphones like the soundcore Life Q30 might be more suitable. Consider your environment and intended use when making your decision.
Conclusion
The world of music production headphones offers a diverse array of options to suit various needs and preferences. From the iconic Audio-Technica ATH-M50x to the premium Focal Listen Professional, each pair brings its unique strengths to the table. The choice between open-back and closed-back designs has a significant impact on the listening experience, influencing factors such as soundstage, isolation, and overall comfort. It’s crucial to consider your specific requirements and working environment when making a decision.
Ultimately, the best headphones for music production are those that align with your individual needs and budget. Whether you’re a seasoned pro or just starting out, investing in a quality pair of headphones can make a world of difference in your music production journey. Remember, while these tools are essential, they’re just one part of the equation – your skills, creativity, and passion are what truly bring the music to life.
FAQs
What are the top headphones recommended for music production? Some of the best headphones for music production include the Sennheiser HD 25, Sony MDR-7506 Professional, KRK KNS 8400 Studio, AIAIAI TMA-2 Wireless+, AKG K240 MKII, Beyerdynamic DT 990 PRO Open Studio, Sennheiser HD 650, and Samson SR850.
Which headphones are commonly used by music producers? Music producers often use a variety of headphones depending on their budget and needs. Some popular choices include the Sennheiser HD 206 Stereo Headphone for under $50, Sony MDR7506 Professional Large Diaphragm Headphone for under $100, RØDE NTH-100 Professional Over-Ear Headphones for comfort, and Focal Listen Professional for reliability. For budgets over $250, there are other premium options available.
What headphones do artists prefer in the studio? Artists in the studio typically opt for headphones like the AUDIO-TECHNICA ATH-M50x, SENNHEISER HD600, FOCAL CLEAR MG, and BEYERDYNAMIC DT 770 PRO. These models are favored for their specific qualities in music producing, mixing, mastering, and recording.
How should one choose headphones for music production? When selecting headphones for music production, consider whether you’ll use them while recording or in noisy environments. In such cases, closed-back headphones are advisable because they provide better isolation, which is beneficial for both recording and mixing in less-than-ideal acoustic environments.
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